WINNERS OF CST AWARDS
OF 75th CANNES FILM FESTIVAL
CST – Commission supérieure technique de l’image et du son, is pleased to award:
Withe the support of AFDAS, Audiens, ARRI & Création Petrusse
CST Award for best young female film technician to:
Un petit frère.
CST Award for Best Artist-Technician to:
Triangle of Sadness.
CST Awards
CST – Commission Supérieure Technique de l’Image et du Son, is proud to present its prize list for the 75th edition of the Cannes Film Festival. Over the years, the prize list has been expanded to highlight the importance of the creative and technical know-how of all cinema technicians. Two prize-winners are rewarded for the quality of their technical gestures in the service of the director’s vision.
Since 2003, the award has been awarded by name to a technical artist for the quality of his or her work in the making of one of the films in the official competition.
The entire sound team for Ruben Östlund’s Triangle of Sadness.
The sound team consisted of Jonas Rudels and Jacob Ilgner – Sound Engineer – and Andreas Franck, Bent Holm – Sound Design & Re-recording Mix.
“CST Award for Best Artist-Technician Jury presented the 2022 award to the entire sound team behind Ruben Östlund’s “Triangle of Sadness”. This award recognizes the creativity and staging of the sound worlds that help immerse viewers in the frenzy of this acidic, madcap satire“, announced the jury.
The jury of professionals was equally made up of : Evgenia Alexandrova – cinematographer and director, Sophie Chiabaut – sound engineer, Agnès Salson – film programmer, Bertrand Seitz – set designer, François Troukens – director and Fred Volhuer – CEO of Atlas V.
Marion Burger, Head Decorator on Léonor Serraille’s Un petit frère.
After graduating in textile design from Duperré in 2009, and studying at Danmarks Designskole in Copenhagen in 2010, she became fascinated by the cross-disciplinary nature of creative media and completed her studies in Design and Environments at the Sorbonne in 2011.
Since 2015, she has worked as head set designer on a dozen feature films.
“With Léonor Serraille’s Un petit frère, for which she worked with finesse to recreate the settings of 80s Paris, she shows her ability to take on an ambitious project. At just 34 years of age, Marion has already had a remarkable career with a number of demanding films,” emphasized the jury.