2025 JURY

Rémy Jacquelin

Director, ESEC film school

After spending 10 years working for Gaumont and moving to TF1 in 2000, Rémy was in charge of acquisitions for the first free French television channel. After 2008, he also held the position of vice-chairman of TF1 Film Production.

In 2012, Rémy founded Malberg Pictures, a production, distribution and counselling company. He took part in developing and financing films and TV series. For example, he joined forces with Barthélémy Fougea (Winds), the producer of Sur le Chemin de l’Ecole to help finance ambitious documentaries (TV series and feature films). 

Rémy is the chairman and founder of Paradoxal, a production company based in Paris. Along with Both Worlds, (South Africa), Paradoxal co-produced the 18-part series Recipes for Love and Murder and is currently the producer of The Morning After (8 30-minute episodes).

Since 2022, Rémy has been the director of ESEC, a film school that provides 3-year courses to train film and audiovisual technicians in Paris and Lyon.

Françoise Noyon

Cinematographer

Françoise’s interest in photography dates back to when she was in Corneille high school in Rouen and she discovered filming and cameras when she joined the Archimède Film Club. Once she graduated from high school, she enrolled at Paris III university to study cinema and modern literature. After graduating, she worked as an intern at Samuelson Alga in Vincennes. Thanks to encounters with various people, she began working on film shoots as assistant to several directors of photography (Yvan Kozelka, Yves Dahan, Jean Yves Le Mener, Dominique Chapuis, Hughes de Haeck …)

She has worked on numerous feature films (The Seventh Dimension, Rendez-vous au Tas de Sable, Operation Corned Beef, Le Gône du Chaâba, Les Kidnappeurs…), television series, clips, advertisements and documentaries as first camera assistant or second camera operator. She also made many short films as director of photography. Parallel to these activities, she passed on her experience to students in several film schools. Forever curious and keen to understand technological developments, she has written articles about them in specialised publications. Since 2007, she has represented the CST’s Image department alongside Thierry Beaumel.